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January 27th, 2010

Q&A: Bring the Land to the People

good By: Allison Arieff of GOOD Magazine
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The complete antithesis of the rural idyll that many might associate with farming, the 4-1/2 acre Alemany Farm is located just off the decidedly non-bucolic Highway 280 in San Francisco, adjacent to a public housing project. But its tough exterior contrasts sharply with its benevolent mission of educating, engaging, and feeding its urban constituency through the organic food it grows. I spoke recently with Alemany’s co-manager, Jason Mark, who, when he’s not harvesting carrots and kale, is editing the quarterly environmental magazine, Earth Island Journal.

So how did you become an urban farmer?

When I was growing up, my father owned a landscape design and construction firm in Phoenix, Arizona, and we always had these amazing gardens at our house. But I hated helping out in the yard (it was, after all, a chore). So when I left home for college, I never thought about gardening again.

That is, until Sept 12, 2001, when I thought: “Man, the world is going to hell fast, I better learn to grow my own food.” So I enrolled in an urban gardening course offered by the now-defunct San Francisco League of Urban Gardeners (SLUG), where I learned some of the basics about food production. Then I got a small (I mean, tiny) plot in a community garden in San Francisco’s Lower Haight neighborhood, where I grew some pretty impressive carrots and some pathetic radishes. It was a blast.

During this time, I was working at the human rights group Global Exchange, where I ran a national campaign trying to break America’s oil addiction. I began to feel an even more acute sense of the importance of building a sustainable food system. So I quit my job, left San Francisco, and enrolled in the ecological horticulture apprenticeship at the UC-Santa Cruz Farm & Garden. It was a truly magical experience: living in a tent with 45 other industrial-society skeptics, learning to grow your own food, watching the sun set over the Big Sur Mountains across Monterey Bay. The farm gave me a visceral sense of the importance of not only sustainable food production, but also the need for people to get closer to the natural system on which we depend.

And then you got involved with Alemany Farm?

I felt that bringing my skills back to the city was important. Because if we can’t bring the people to the land, then we should bring the land to the people.

What are the biggest challenges of running an urban farm, particularly an all-volunteer one like Alemany?

Farming is the easy part–or at least the easier part. It’s a craft humans have been practicing for 10,000 years, and I believe it’s in our DNA at this point. To thrive, the plants need water, sunlight, and healthy soil. And we really only have control over this last one.

Plants are easy; people are more challenging. Farming in a big city like San Francisco involves a lot of different communities and a lot of different agendas. This is part of the charm of the enterprise–and its challenge. Groups and individuals come to Alemany Farm with their own goals, expectations, and agendas. And since we naturally want to be inclusive and welcoming, a big part of the farm is balancing out all of the different interests.

Perhaps our biggest challenge is how little urban folks know about food production. I give almost the exact same tour to 7th graders as I do to middle-aged corporate executives, because the adults don’t necessarily know much more about food production than the kids. Of course, this is one of the most rewarding elements of urban farming: education. We are engaged in a mission to show people how they themselves can become their own food producers.

How do you feel about the seemingly exponential growth of interest in urban farming over the past few years? Do you see a bright future?

There’s no question there is a tidal wave of interest in sustainable food right now–what I think of as the Alice Waters-Michael Pollan-Barbara Kingsolver effect. Local-organic food is IN. And that enthusiasm has translated into a lot of interest in urban agriculture.

Some might dismiss this as simply a trend, but looking at the expressions on our volunteers’ faces, feeling their enthusiasm and commitment and passion, I am positive that this is no passing fad. There is an entire generation of people who are eager for some tangible, physical connection to the natural world, and they are finding that in their food.

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Q&A: What’s So Funny About Intensive Care?

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Want better health? Build some belly laughs into your daily routine.

Hob Osterlund is a former Pain and Palliative Care Clinical Nurse Specialist who witnessed first-hand in her patients how entertainment can lift their spirits, reduce anxiety and give them courage to face their treatment. This inspired her to create and host the Chuckle Channel–a closed-circuit television comedy channel made specifically to play in hospitals and healthcare settings 24 hours a day for anyone in a hospital who needs a little rib tickling…

HobOsterlund_2As the Principle Investigator in research that explores how comedy relieves symptoms of pain, anxiety and fatigue, Osterlund is dedicated to the idea of bringing more humor to the hospital.

How do entertainment and comedy lift patients’ spirits and improve their well-being?

Virtually every day I see patients at The Queen’s Medical Center who tell me how specific films have lifted their spirits. We had one cancer patient recently who was so depressed he could barely muster the energy to interact with his healthcare providers. A nurse provided a specific comedy she thought might help. Once he watched it, he became more more communicative. In this case, it happened to be my own comedy character Ivy Push, RN. I think it helped him because he felt a connection with her, and because her schtick is about the absurdity of the hospital culture. Once you have a chance to laugh about that, you feel a little less isolated and a little less crazy.

What was your personal inspiration for creating and hosting the Chuckle Channel?

I initially began the Chuckle Channel at Queen’s in Honolulu because I believe in the magic of humor and I was able to get the rights from local comedians to show their films. After talking with countless patients, I had a bit of an epiphany— and I may be the very last person in the country to understand this concept: the television is not a THING on the wall, it’s a relationship. An intimate one. People in the hospital spend the night with it. They’re naked with it. They’re vulnerable to its images in every way. So if you’re scared and in pain in the middle of the night, you should have the option of watching something other than infomercials or bad news, both of which are essentially abusive. Their basic message is “You’re not good enough. Buy ______ and you’ll feel better.” So there would be an alternative message, I created a national Chuckle Channel to which all hospitals may subscribe.

I’d love to see uplifting comedy available in all healthcare settings. I’d also love to see the Chuckle Channel sponsored by a foundation or corporation. I’d love to be able to add many more films by artists from many cultures who are doing funny, clean and inclusive stuff. People with talent. I don’t care if they’re famous.

How can we bring more entertainment and comedy to hospitals to improve patient health?

Folk wisdom already supports laughter; so does the Bible. We all know how good it feels to laugh. We have research that helps us understand how and why it may help. If I had my way, there’d be a whole lot more comedy that’s not about rage, not disparaging, not divisive. We’re all in this blessed, blasted and bruised world together. Why not find a way to laugh about how impossible it all feels? Only then can we feel the relief we all so dearly need. Only then can we get creative with how enormous our challenges feel.

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